Notes related to Venice Biennale

IN MINOR KEYS: WHAT WE SAW AT THE VENICE BIENNALE

An overhead summer sun, harsh and multiplied by the closeness of the water, beat down on us in the streets, bridges and canals of Venice caught in a heat wave. We were looking for shelter, and then darkness. And then, a panel, an immersive installation by Khaled Sabsabi that glowed in the middle of the entrance to the exhibition. Colors, slow movements, spectral sounds. Can we also imagine, perhaps, certain scents? This is the solemn entrance to the Arsenale in the 2026 edition of the Venice Biennale exhibition.

Reviews

IN MINOR KEYS: WHAT WE SAW AT THE VENICE BIENNALE

An overhead summer sun, harsh and multiplied by the closeness of the water, beat down on us in the streets, bridges and canals of Venice caught in a heat wave. We were looking for shelter, and then darkness. And then, a panel, an immersive installation by Khaled Sabsabi that glowed in the middle of the entrance to the exhibition. Colors, slow movements, spectral sounds. Can we also imagine, perhaps, certain scents? This is the solemn entrance to the Arsenale in the 2026 edition of the Venice Biennale exhibition.

July 22, 2026
BRAZIL ANNOUNCES ROSANA PAULINO AND ADRIANA VAREJÃO FOR ITS PAVILION AT THE 2026 VENICE BIENNALE

Curated by Diane Lima, the project Comigo ninguém pode will bring together two of the most powerful voices in contemporary Brazilian art around themes of colonial memory, resilience, and poetic imagination in Brazil’s Pavilion.

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BRAZIL ANNOUNCES ROSANA PAULINO AND ADRIANA VAREJÃO FOR ITS PAVILION AT THE 2026 VENICE BIENNALE

Curated by Diane Lima, the project Comigo ninguém pode will bring together two of the most powerful voices in contemporary Brazilian art around themes of colonial memory, resilience, and poetic imagination in Brazil’s Pavilion.